Juan Atkins took Cybotron back to Glastonbury
Detroit electro originator Juan Atkins brought his reactivated Cybotron project to Block9's giant IICON head at Glastonbury, performing new Tresor material with Laurens von Oswald and DJ Maaco.
from “le détroit” · the strait
Detroit electro originator Juan Atkins brought his reactivated Cybotron project to Block9's giant IICON head at Glastonbury, performing new Tresor material with Laurens von Oswald and DJ Maaco.
Juan Atkins, the Detroit producer credited as one of techno's founders, brought his Cybotron project to Glastonbury on Friday, June 27, 2025. The set ran inside Block9's IICON, the festival's late-night electronic area in the southeast corner of Worthy Farm.
Cybotron sat among the headliners when Block9 announced its 2025 program in May, listed on the bill as "Cybotron AKA Juan Atkins" (per the lineup Block9 released ahead of the festival). Atkins did not play it as a solo turn. He was joined by Laurens von Oswald, his collaborator on the project's recent recordings, and by DJ Maaco of the Detroit electro group Detroit In Effect.
The choice of stage was deliberate. IICON is a roughly 65-foot sculptural head that anchors Block9's eastern field, built on a scaffold substructure and topped by a large LED screen that sits where a face would be. Block9 describes the work, in its own materials, as a monument built for a digital, post-truth era. It is one of the more visually aggressive stages at any major festival, and pairing a first-generation Detroit electro act with that kind of spectacle was a bet on contrast as much as continuity.
The performance drew on Cybotron's reactivated catalog. The project, which Atkins first launched at the start of the 1980s, returned to recording with "Parallel Shift," a three-track EP released on Berlin's Tresor Records on November 1, 2024 (per Tresor's own release page). Atkins wrote and produced the record with von Oswald, and it carries a science-fiction storyline that runs from the year 2100 back toward the 1960s. The set folded that newer material together with older Cybotron tracks rather than treating the catalog as a museum piece.
For Detroit, the booking reads as a marker of how far the city's electronic music has traveled. Cybotron's early records helped define the sound that became techno, and four decades on, the same project is closing out a night on one of the largest stages in British festival culture.
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